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QUANTUM 225T DIGITAL
MIXING CONSOLE

Own the room with the compact and robust Quantum

Quantum 225T 주요 기능


96 Input Channels
48 Aux / Sub-Group Busses
24 x 24 Full Processing Matrix
LR/LCR Master Bus
207 Dynamic Equalizers
48/96 kHz Sample Rate


Quantum 225T : Compact and Robust 

Quantum 338T의 뒤를 이어, Quantum 225T는 Quantum의 강력한 성능을 컴팩트하고 견고한 워크서피스에 담아 제공합니다.

Quantum 225T는 2020년 Quantum 338T에서 도입된 모든 새로운 설계 특징을 적용했으며, 물론 3개의 대형 7세대 FPGA를 사용해 타의 추종을 불허하는 Quantum의 전통을 이어갑니다. 이 콘솔은 검증된 워크플로우에 막강한 프로세싱 파워, 대담한 혁신, 그리고 Quantum의 모든 기능을 결합하여, 사용자에게 궁극의 툴 세트를 제공합니다.


Under The Hood

Quantum 225T는 17인치, 1000니트, 고휘도 멀티터치 스크린을 제공하며, 미터 브리지와 소프트 퀵 셀렉트 버튼을 함께 표시해 빠르고 직관적인 조작이 가능합니다. 채널 정보와 미터링, 뱅크 정보, 매크로 등 다양한 내용을 표시하는 41개의 개별 TFT LCD가 사용자가 필요한 컨트롤로 즉시 안내합니다. 또한 100mm 터치 센서 페이더 25개가 12개씩 2뱅크로 배치되어 있으며, 여기에 사용자 할당이 가능한 전용 마스터 페이더 1개가 추가되고, 고해상도 미터링을 제공합니다.


Quantum 225T의 핵심 특징은 **마운팅 브래킷(Mounting Bracket)**을 이용해 좌측 워크서피스를 커스터마이즈할 수 있다는 점입니다. 창의적인 컨트롤을 위해 노트북을 거치하거나, 몰입형 컨트롤을 위해 KLANG:kontroller를 장착할 수 있습니다. 나아가 추가 스크린을 장착해 KLANG:app, 플러그인 컴퓨터 화면, 콘솔 오버뷰 스크린을 띄울 수도 있고, 심지어 좌측 페이더 뱅크의 채널 스크린을 표시하도록 설정해 Quantum 225를 듀얼 스크린 콘솔로 변신시킬 수도 있습니다. 놀라운 가격대에서 가능한 구성입니다.


최대 96개의 입력 채널, 48개의 버스, 24 x 24 매트릭스(모두 풀 채널 프로세싱 포함)를 제공하는 Quantum 225T는 Quantum을 더 폭넓은 사용자층에게 제공합니다. 또한 기본 구성으로 Mustard Processing 채널 스트립, Spice Rack 플러그인 스타일의 네이티브 FPGA 프로세싱 옵션, Nodal Processing, True Solo도 포함됩니다.


I/O

Despite being a smaller format console, there hasn’t been any sacrifice when it comes to connectivity.

Local I/O: Quantum 225’s local I/O includes 8 analogue inputs, 8 analogue outputs and 2 AES I/O (4 channels)

MADI: Quantum 225 offers 2 redundant MADI in/out at 48kHz, which can also be configured as 4 MADI I/O. At 96kHz this acts as 2 MADI I/O with full channel counts.

Optocore: The Quantum 225 offers the option to add a single or dual loops of Optocore. On each loop, which is 504 channels of audio; there can be up to 14 DiGiCo racks, or a combination of racks and tie-lines around the loop. With dual Optocore loops, that’s 1,008 Optocore channels of audio and 28 racks running.

UBMADI: In addition, the engine has a 48-channel UBMADI, so you can connect any laptop via USB and get 48 channels of recording and playback.

DMI: We have also incorporated two dedicated DMI slots to accommodate the growing family of DiGiCo DMI card options. Allowing the console connectivity to be configured for the demand of the tour or event, you could plug in a Dante module, or the latest automatic mic mixing module. Each dedicated DMI slot provides you with an additional 64 x 64 I/O.

Waves: There is also an option to add Waves connectivity if you want to utilise SoundGrid processing, giving you a 64 x 64 additional I/O.



DMI 카드 옵션


Quantum 225T : 제품 사양

General Specifications
  • Faders: 25 x 100mm touch-sensitive, motorised
  • Screens: 1 x 17” LCD high – brightness, high – resolution touch screen
  • Input Channels: 96
  • Busses: Up to 48 Aux / Group busses with full processing Mono / Stereo / LCR
  • Matrix: Up to 24 Input / 24 Outputs with full processing
  • Control Groups: Up to 12, selectable for VCA-style, Moving fader, Mute Group
  • Graphic Eq: 16 x 32-band, Gain +/- 12dB
  • Internal FX: Up to 12 stereo effects comprising floating point reverbs and delay/chorus/pitch/enhancer
  • Spice Rack: 6 mono / 3 stereo Rack Slots
  • Mustard Proc: 36 Processing Strips
  • Nodal Proc: 48 Nodal Processors
  • Local I/O: 8 x mic/line I/O, 2 x AES I/O (4 channels)
  • MADI interface: 4 x interfaces @ 48kHz, 2 interfaces @ 96kHz, BNC connectivity
  • Optocore Interface: Optional (dual loop available)
  • Sampling rates: 48kHz / 96kHz
  • GPI/GPO: 2
  • DMI: 2 x DiGiCo Multichannel Interface
  • Waves: Optional
  • Ext Sync: Wordclock, MADI, Optocore
  • Quantum 225 Pulse  Dimensions: 1124mm (w) x 801mm (d) x 436mm (h)
  • Quantum 225 Pulse Weight: 43Kg / 95lbs (138Kg / 304 lbs. with flightcase)
  • Quantum 225 Pulse  Flightcase: 1260mm (w) x 601mm (d) x 1141mm (h)
  • Power Requirements 100V-240V, 50-60Hz, 255VA
Audio Specification
  • Sample Rate: 48kHz or 96kHz
  • Processing Delay: TBC
  • Internal Processing: Up to 40-bit, Floating Point
  • A>D & D>A: 24-bit Converter Bit Depth
  • Frequency Response: TBC
  • THD: TBC
  • Channel Separation: TBC
  • Residual Output Noise: TBC
  • Microphone Input: TBC
  • Maximum Output Level: TBC
  • Maximum Input Level: TBC
Processing Channel Specification
Input Channel
  • Name: User-Defined / Presets
  • Channel Selection: Mono / Stereo / Multi
  • Input Routing: Main & Alternate Input
  • Analogue Gain: -20 to +60dB
  • Phase: Normal / Reverse
  • Digital Trim: -40 to +40dB
  • Delay: Up to 1.3s
  • DiGiTuBe: Drive 0.01 – 50.0
    Bias 0 – 6
  • LPF: 20 – 20kHz, 24dB/Oct
  • HPF: 20 – 20kHz, 24dB/Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
    Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
  • Dynamics 1: Single or Multiband (3-Band)Compressor:
    On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, SoftDe-Esser:
    Threshold : 20us – 20ms
    Release : 1ms – 100ms
    Ratio : 1:1 – 50:1
    Ess-Band : Listen On/Off
    Ess-Band Filter Freq / Width: 20Hz – 20kHz
  • Dynamics 2: On/OffGate / Ducker:
    Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 – 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHzCompressor:
    On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any Source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • EQ/Dyn order: EQ/Dyn or Dyn/EQ
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
    Full Safe
  • Output Routing: Buss, Insert A, Insert B, FX
    Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
  • Fader: 100mm Motorised Fader ∞ to +10dB
Processing Channel Specification
Aux / Group / Matrix Output
  • Name: User-Defined / Presets
  • Phase: Normal / Reverse
  • Digital Trim: -20 to +60dB
  • Delay: Up to 1.3 sec
  • DiGiTuBe: Drive 0.01 – 50.0
    Bias 0 – 6
  • LPF: 20 – 20kHz, 24dB / Oct
  • HPF: 20 – 20kHz, 24dB / Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
  • Dynamics 1: Single or Multiband (3-band)Compressor:
    On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, SoftDe-Esser:
    Threshold: 20us – 20ms
    Release: 1ms – 100ms
    Ratio: 1:1 – 50:1
    Ess-Band: Listen On/Off
    Ess-Band Filter Freq/Width: 20Hz – 20kHz
  • Dynamics 2: On/OffGate / Ducker:
    Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 – 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHzCompressor:
    On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • EQ/Dyn Order: EQ/Dyn or Dyn/EQ
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
  • Output Routing: Outputs, Insert A, Insert B, FX
  • Fader: 100mm Motorised Fader ∞ to +10dB
Mustard Processing
  • Preamplifier Tubes:
    Variable Drive
    Odd / Even / Overdrive / Distortion / Crunch / Hi Distortion Presets
    Variable Output Gain
  • Preamplifier Amp:
    Variable Drive
    Odd/Even 1st stage harmonics
    Bias & Saturate control
    Off/Odd/Even 2nd stage harm
    Variable HF Boost
    Variable Output Gain
  • Equalisation: 4 band EQ: Parametric (lowshelf / bell, lower-mid bell / all-pass, upper-mid bell / all-pass, hishelf / bell)
    HPF & LPF 4th order filters
  • Dynamics 1: Classic VCA Compressor / Vintage VCA Compressor / Optical Compressor / FET Limiter
  • Dynamics 2: Gate / Ducker
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엔지니어들에게 인정받은 음질과, 엔지니어들에게 선택되어진 UI, 엔지니어들을 위한 수많은 편의기능 등, 최고의 엔지니어들이 선택한 믹싱툴 DiGiCo,
DiGiCo가 구현하는 기술은 현재 음향시장의 기술력을 대변하고 있음과 동시에 미래의 음향시장의 개척점에 의심없이 위치할 것이라는 것을, 
그간 DiGiCo가 걸어온 역사에서 기록되어지고 있으며, 입증되고 있습니다. 
DiGiCo는 최고의 퍼포먼스를 요하는 모든 상황에서, 최고의 엔지니어들과 함께, 최고의 사운드를 품고 있습니다.
디지털콘솔의 범주를 넘어선 최고의 사운드기어 DiGiCo를 여러분께 추천합니다.