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QUANTUM 852 DIGITAL
MIXING CONSOLE

Own the room with the powerful new flagship  

Quantum 852 주요 기능

384 Input Channels
192 Aux / Sub-Group Busses
64 x 64 Full Processing Matrix
LR/LCR/LCRS/5.1 Master Bus
1030 Dynamic Equalizers
48/96 kHz Sample Rate

Quantum 852

Quantum 852는 설계의 초기단계부터 Quantum 852만을 위한 과정으로 제작되었습니다.

DiGiCo의 새로운 플래그십 Quantum 852는 ‘BIG on power’입니다.

DiGiCo라 자부할 수 있는 최고수준의 음질과, 단계를 뛰어넘은 처리능력은 엔지니어의 손끝에서 거침이 없을 것입니다.

어떤 환경에서도 선명하게 UI를 확인할 수 있는 1000nit LCD는 품위를 풍기며 자리하고 있고, 완전하게 탈바꿈한 UI(User-Interface)는 엔지니어에게 자신감을 얹어줄 것입니다.


Quantum 852는 DiGiCo의 플래그십입니다.

플래그십이라 함은, 과거의 ‘동경(憧憬)’에서 기원함을 의미하며, 현재에 최고의 ‘선택’이어야 하고, 이를 기반하여 미래에도 지속적인 ‘가치(價値)’를 품고 있어야 할 것입니다.


Quantum 852는 DiGiCo의 ‘혁신’이고, DiGiCo가 지니고 있는 기술의 ‘결합’이며, DiGiCo의 수준을 가늠하는 ‘능력’을 상징합니다.


DMI 카드 옵션

DMI-HYDRA 2This card will provide 56 Input and 56 output channels at 48kHz with Primary and Secondary (backup) optical connections.

DMI-ADCThis card provides 16 analogue inputs on 2 x 25 way “D” connectors. The ADC card is a line card only. There is no microphone amplifier or phantom power available. There is no gain control function for these inputs (only digital trim). Maximum input level +22dBu.

DMI-MADI-BThis card can be used to connect a Standard MADI stream (64 channels in and out) at 48KHz or 96KHz or an SD Series DiGiCo Rack with the appropriate connector (D-Rack, D2-Rack, SD-Rack, SD-MiNiRack)

DMI-DANTEThis card provides 64 input and 64 output channels at 48KHz and 32 input and 32 output channels at 96KHz. It is provided with Primary and Secondary (backup) Gigabit Ethernet ports for connection to the Dante network.

DMI-DACThis card provides 16 analogue outputs on 2 x 25 way “D” connectors DAC card is line level only. Maximum output level +22dBu (Digital Full Scale)

DMI-AESThis card provides 16 Inputs (8 pairs) and 16 outputs (8 pairs) on 2 x 25 way “D” connectors. All AES inputs are provided with sample rate conversion (SRC) by default. All AES outputs are synchronised to the mixer system clock.

DMI-MADI-CThis card can be used to connect a Standard MADI stream (64 channels in and out) at 48KHz or 96KHz or an SD Series DiGiCo Rack with the appropriate connector (D-Rack, D2-Rack, SD-Rack, SD-MiNiRack)

DMI-AVIOMThis card provides 16 output channels at 48kHz (with SRC) and Supports Aviom's proprietary A-Net Pro16 protocol. It has 1 Cat5e connection and faceplate DIP switched for Stereo output selection.

DMI-WAVESThis card will provide 64 input and 64 output channels at 48kHz or 96kHz to the SoundGrid Network with 2 Cat5e/Cat6 connections.

DMI-AMMThis card offers both the SD-Range and the S-Series consoles 48 channels of automatic microphone mixing which can be used in any console input channel.

DMI-METhis card offers a 40 output interface to Allen & Heath ME-1 or ME-500 Personal Mixers. Multiple personal Mixers can be connected to the DMI ME via the ME-U Hub.

DMI-MICThis card provides 8 microphone preamp inputs on a 1 x 5 way "D" connector. Each channel has individual, low noise gain control and phantom power. User interface is through a normal channel strip on your console. Maximum input level is +22dBu.

DMI-A3232This card allows S-Series Consoles to connect to the A168 STAGE Stage Rack. Each Ethercon port supports up to 32 I/O, for a total channel count of 64 I/O.

DMI-OPTOThis card allows Optocore audio over HMA, OpticalCon or ST connectors.

DMI-DANTE64@96This card provides 64 inputs and 64 outputs to the Dante network at both 48kHz and 96kHz.

DMI-KLANGThis card provides ultra low latency KLANG immersive processing for up to 16 2-channel mixes with 64 inputs at 48kHz or 96kHz.
더보기

Quantum 852 : 제품 사양

General Specifications

  • Faders: 40 x 100mm touch-sensitive, motorised + 12 x 60mm touch sensitive, motorised
  • Screens: 3 x 21.3” LCD high-brightness, high-resolution touch screens + 3 x 6.8″ LCD high-brightness, high-resolution touch screens
  • TFT Screens: 40 x 1.3″ touch sensitive full colour LCD display + 29 x 1.3″ full colour LCD displays
  • Meterbridge: 3 x Custom Mounted 19.2″ LCD high – brightness, high – resolution screens
  • Redundancy: Internal removable engine x 2
  • Internal hot-swappable PSU x 2
  • Input Channels: 384
  • Busses Up: 192 Aux / Group busses with full processing Mono / Stereo / LCR / 5.1
  • Matrix: 64 Input / 64 Outputs with full processing
  • Control Groups: 36, selectable for VCA-style, Moving fader, Mute Group
  • Graphic Eq: 48 x 32-band, Gain +/- 12dB
  • Internal FX: 64 stereo effects comprising up to 32 floating point reverbs plus delay/chorus/pitch/enhancer
  • Spice Rack: 32 mono / 16 stereo Rack Slots
  • Mustard Proc: 128 Processing Strips
  • Nodal Proc: 384 Nodal Processors
  • Local I/O 12 x mic/line I/O, 12 x AES I/O
  • 8 x MADI interfaces @ 48kHz,  4 redundant interfaces @ 96kHz, BNC connectivity
  • Standard Optocore (Dual Loop – Optional)
  • Sampling rates 48kHz / 96kHz
  • GPIO: 2 x DSub37
  • Video Inputs x 2, Outputs x 2
  • DMI: 2 x DiGiCo Multichannel Interface
  • Waves: Fitted as Standard
  • Ext Sync Wordclock, AES, Video, MADI, Optocore


Audio Specification

  • Sample Rate: 48kHz or 96kHz
  • Processing Delay: TBC
  • Internal Processing: Up to 40-bit, Floating Point
  • A>D & D>A: 32-bit Converter Bit Depth
  • Frequency Response: TBC
  • THD: TBC
  • Channel Separation: TBC
  • Residual Output Noise: TBC
  • Microphone Input: TBC
  • Maximum Output Level: TBC
  • Maximum Input Level: TBC


Processing Channel Specification Input Channel

  • Name: User-Defined / Presets
  • Channel Selection: Mono / Stereo / Multi
  • Input Routing: Main & Alternate Input
  • Analogue Gain: -20 to +60dB
  • Phase: Normal / Reverse
  • Digital Trim: -40 to +40dB
  • Delay: Up to 1.3s
  • DiGiTuBe: Drive 0.01 – 50.0
    Bias 0 – 6
  • LPF: 20 – 20kHz, 24dB/Oct
  • HPF: 20 – 20kHz, 24dB/Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
    Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
  • Dynamics 1: Single or Multiband (3-Band)Compressor:
    On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, SoftDe-Esser:
    Threshold : 20us – 20ms
    Release : 1ms – 100ms
    Ratio : 1:1 – 50:1
    Ess-Band : Listen On/Off
    Ess-Band Filter Freq / Width: 20Hz – 20kHz
  • Dynamics 2: On/OffGate / Ducker:
    Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 – 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHzCompressor:
    On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any Source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • EQ/Dyn order: EQ/Dyn or Dyn/EQ
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
    Full Safe
  • Output Routing: Buss, Insert A, Insert B, FX
    Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
  • Fader: 100mm Motorised Fader ∞ to +10dB


Processing Channel Specification Aux / Group / Matrix Output

  • Name: User-Defined / Presets
  • Phase: Normal / Reverse
  • Digital Trim: -20 to +60dB
  • Delay: Up to 1.3 sec
  • DiGiTuBe: Drive 0.01 – 50.0
    Bias 0 – 6
  • LPF: 20 – 20kHz, 24dB / Oct
  • HPF: 20 – 20kHz, 24dB / Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
  • Dynamics 1: Single or Multiband (3-band)Compressor:
    On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, SoftDe-Esser:
    Threshold: 20us – 20ms
    Release: 1ms – 100ms
    Ratio: 1:1 – 50:1
    Ess-Band: Listen On/Off
    Ess-Band Filter Freq/Width: 20Hz – 20kHz
  • Dynamics 2: On/OffGate / Ducker:
    Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 – 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHzCompressor:
    On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • EQ/Dyn Order: EQ/Dyn or Dyn/EQ
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
  • Output Routing: Outputs, Insert A, Insert B, FX
  • Fader: 100mm Motorised Fader ∞ to +10dB


Mustard Processing

  • Preamplifier Tubes:
    Variable Drive
    Odd / Even / Overdrive / Distortion / Crunch / Hi Distortion Presets
    Variable Output Gain
  • Preamplifier Amp:
    Variable Drive
    Odd/Even 1st stage harmonics
    Bias & Saturate control
    Off/Odd/Even 2nd stage harm
    Variable HF Boost
    Variable Output Gain
  • Equalisation: 4 band EQ: Parametric (lowshelf / bell, lower-mid bell / all-pass, upper-mid bell / all-pass, hishelf / bell)
    HPF & LPF 4th order filters
  • Dynamics 1: Classic VCA Compressor / Vintage VCA Compressor / Optical Compressor / FET Limiter
  • Dynamics 2: Gate / Ducker

엔지니어들에게 인정받은 음질과, 엔지니어들에게 선택되어진 UI, 엔지니어들을 위한 수많은 편의기능 등, 최고의 엔지니어들이 선택한 믹싱툴 DiGiCo,
DiGiCo가 구현하는 기술은 현재 음향시장의 기술력을 대변하고 있음과 동시에 미래의 음향시장의 개척점에 의심없이 위치할 것이라는 것을, 
그간 DiGiCo가 걸어온 역사에서 기록되어지고 있으며, 입증되고 있습니다. 
DiGiCo는 최고의 퍼포먼스를 요하는 모든 상황에서, 최고의 엔지니어들과 함께, 최고의 사운드를 품고 있습니다.
디지털콘솔의 범주를 넘어선 최고의 사운드기어 DiGiCo를 여러분께 추천합니다.