mobile background



NEW

QUANTUM 225 DIGITAL
MIXING CONSOLE

Own the room with the compact and robust Quantum

Quantum 225 주요 기능


72 Input Channels
36 Aux / Sub-Group Busses
12 x 12 Full Processing Matrix
LR/LCR Master Bus
155 Dynamic Equalizers
48/96 kHz Sample Rate


Quantum 225 : Compact and Robust 

Quantum 338을 이은 Quantum 225는 간결하고 단단한 워크스페이스에서 Quantum을 구현 합니다.

Quantum 225는 Quantum 338과 마찬가지로, 3개의 7세대 FPGA를 사용하는 것은 물론 콘솔의 기능을 새롭게 정의한 Quantum의 유산을 물려받았습니다.

아날로그 콘솔을 디지털로 모방하는데 그쳤던 그저 그런 디지털 콘솔들과 달리, DiGiCo는 콘솔 시장을 이끌어 가는 혁신을 가치 삼아 Quantum만이 지니고 있는 워크플로우를 Quantum 225를 통해, 믹싱엔지니어들에게 최고의 툴로 제공합니다.


Under The Hood

Quantum 225는 빠르고 직관적인 조작을 위해 17인치 고휘도(1000nit) 터치스크린을 제공하며, 미터브릿지, 퀵-셀렉트 버튼 등을 갖추고 있습니다. 채널의 정보 및 미터링, 뱅크의 정보, 매크로 등을 확인하여 조작을 안내하는 41개의 개별 TFT LCD와 더불어 100mm 페이더(touch-sensitive) 24개와 미터링 기능을 동반한 유저-어사인어블 페이더 1개 등 총 25개의 페이더를 탑재하고 있습니다. 

뿐만 아니라 마운팅-브래킷을 활용하여 콘솔 서페이스의 좌측상단을 엔지니어의 성향 및 수행하는 작업에 용이하도록 커스터마이징을 할 수 있습니다.

콘솔의 오버뷰(overview) 와 좌측 12개의 페이더로 조작이 가능한 채널의 정보를 확인하여 듀얼스크린 콘솔로 활용할 수 있는 것은 물론, 하드웨어와 연계를 통해, 이머시브 컨트롤을 위한 KLANG:controller, KLANG:app과 Plug-in등의 조작을 위한 툴로 활용할 수 있습니다.

72개의 입력 프로세싱과 36개의 출력 버스, 12 x 12 메트릭스를 갖추고 있는 Quantum 225는 다른 Quantum 콘솔들과 마찬가지로 머스터드 프로세싱, 스파이스랙의 사용이 가능하며, Quantum의 핵심이라 불릴 수 있는 노달프로세싱 및 트루 솔로 역시 지원합니다.


I/O

Despite being a smaller format console, there hasn’t been any sacrifice when it comes to connectivity.

Local I/O: Quantum 225’s local I/O includes 8 analogue inputs, 8 analogue outputs and 2 AES I/O (4 channels)

MADI: Quantum 225 offers 2 redundant MADI in/out at 48kHz, which can also be configured as 4 MADI I/O. At 96kHz this acts as 2 MADI I/O with full channel counts.

Optocore: The Quantum 225 offers the option to add a single or dual loops of Optocore. On each loop, which is 504 channels of audio; there can be up to 14 DiGiCo racks, or a combination of racks and tie-lines around the loop. With dual Optocore loops, that’s 1,008 Optocore channels of audio and 28 racks running.

UBMADI: In addition, the engine has a 48-channel UBMADI, so you can connect any laptop via USB and get 48 channels of recording and playback.

DMI: We have also incorporated two dedicated DMI slots to accommodate the growing family of DiGiCo DMI card options. Allowing the console connectivity to be configured for the demand of the tour or event, you could plug in a Dante module, or the latest automatic mic mixing module. Each dedicated DMI slot provides you with an additional 64 x 64 I/O.

Waves: There is also an option to add Waves connectivity if you want to utilise SoundGrid processing, giving you a 64 x 64 additional I/O.



DMI 카드 옵션


Quantum 225 : 제품 사양

General Specifications

  • Faders: 25 x 100mm touch-sensitive, motorised
  • Screens: 1 x 17” LCD high – brightness, high – resolution touch screen
  • Input Channels: 72
  • Busses: Up to 36 Aux / Group busses with full processing Mono / Stereo / LCR plus a Master
  • Matrix: Up to 12 Input / 12 Outputs with full processing
  • Control Groups: Up to 12, selectable for VCA-style, Moving fader, Mute Group
  • Graphic Eq: 16 x 32-band, Gain +/- 12dB
  • Internal FX: Up to 12 stereo effects comprising floating point reverbs and delay/chorus/pitch/enhancer
  • Spice Rack: 6 mono / 3 stereo Rack Slots
  • Mustard Proc: 24 Processing Strips
  • Nodal Proc: 32 Nodal Processors
  • Local I/O: 8 x mic/line I/O, 2 x AES I/O (4 channels)
  • MADI interface: 4 x interfaces @ 48kHz, 2 interfaces @ 96kHz, BNC connectivity
  • Optocore Interface: Optional (dual loop available)
  • Sampling rates: 48kHz / 96kHz
  • GPI/GPO: 2
  • DMI: 2 x DiGiCo Multichannel Interface
  • Waves: Optional
  • Ext Sync: Wordclock, MADI, Optocore
  • Quantum 2 Dimensions: 1124mm (w) x 801mm (d) x 436mm (h)
  • Quantum 2 Weight: 43Kg / 95lbs (138Kg / 304 lbs. with flightcase)
  • Quantum 2 Flightcase: 1260mm (w) x 601mm (d) x 1141mm (h)
  • Power Requirements 100V-240V, 50-60Hz, 255VA


Audio Specification

  • Sample Rate: 48kHz or 96kHz
  • Processing Delay: TBC
  • Internal Processing: Up to 40-bit, Floating Point
  • A>D & D>A: 24-bit Converter Bit Depth
  • Frequency Response: TBC
  • THD: TBC
  • Channel Separation: TBC
  • Residual Output Noise: TBC
  • Microphone Input: TBC
  • Maximum Output Level: TBC
  • Maximum Input Level: TBC


Processing Channel Specification Input Channel

  • Name: User-Defined / Presets
  • Channel Selection: Mono / Stereo / Multi
  • Input Routing: Main & Alternate Input
  • Analogue Gain: -20 to +60dB
  • Phase: Normal / Reverse
  • Digital Trim: -40 to +40dB
  • Delay: Up to 1.3s
  • DiGiTuBe: Drive 0.01 – 50.0
     Bias 0 – 6
  • LPF: 20 – 20kHz, 24dB/Oct
  • HPF: 20 – 20kHz, 24dB/Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
    Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
     Ratio; 1:1 – 50:1
  • Dynamics 1: Single or Multiband (3-Band)Compressor:
    On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, SoftDe-Esser:
    Threshold : 20us – 20ms
    Release : 1ms – 100ms
    Ratio : 1:1 – 50:1
    Ess-Band : Listen On/Off
     Ess-Band Filter Freq / Width: 20Hz – 20kHz
  • Dynamics 2: On/OffGate / Ducker:
    Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 – 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHzCompressor:
    On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any Source
    S/C Listen : On/Off
     S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • EQ/Dyn order: EQ/Dyn or Dyn/EQ
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
     Full Safe
  • Output Routing: Buss, Insert A, Insert B, FX
     Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
  • Fader: 100mm Motorised Fader ∞ to +10dB


Processing Channel Specification Aux / Group / Matrix Output

  • Name: User-Defined / Presets
  • Phase: Normal / Reverse
  • Digital Trim: -20 to +60dB
  • Delay: Up to 1.3 sec
  • DiGiTuBe: Drive 0.01 – 50.0
     Bias 0 – 6
  • LPF: 20 – 20kHz, 24dB / Oct
  • HPF: 20 – 20kHz, 24dB / Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
     Ratio; 1:1 – 50:1
  • Dynamics 1: Single or Multiband (3-band)Compressor:
    On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, SoftDe-Esser:
    Threshold: 20us – 20ms
    Release: 1ms – 100ms
    Ratio: 1:1 – 50:1
    Ess-Band: Listen On/Off
     Ess-Band Filter Freq/Width: 20Hz – 20kHz
  • Dynamics 2: On/OffGate / Ducker:
    Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 – 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHzCompressor:
    On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any source
    S/C Listen : On/Off
     S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • EQ/Dyn Order: EQ/Dyn or Dyn/EQ
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
  • Output Routing: Outputs, Insert A, Insert B, FX
  • Fader: 100mm Motorised Fader ∞ to +10dB


Mustard Processing

  • Preamplifier Tubes:
    Variable Drive
    Odd / Even / Overdrive / Distortion / Crunch / Hi Distortion Presets
    Variable Output Gain
  • Preamplifier Amp:
    Variable Drive
    Odd/Even 1st stage harmonics
    Bias & Saturate control
    Off/Odd/Even 2nd stage harm
    Variable HF Boost
    Variable Output Gain
  • Equalisation: 4 band EQ: Parametric (lowshelf / bell, lower-mid bell / all-pass, upper-mid bell / all-pass, hishelf / bell)
    HPF & LPF 4th order filters
  • Dynamics 1: Classic VCA Compressor / Vintage VCA Compressor / Optical Compressor / FET Limiter
  • Dynamics 2: Gate / Ducker
mobile background

엔지니어들에게 인정받은 음질과, 엔지니어들에게 선택되어진 UI, 엔지니어들을 위한 수많은 편의기능 등, 최고의 엔지니어들이 선택한 믹싱툴 DiGiCo,
DiGiCo가 구현하는 기술은 현재 음향시장의 기술력을 대변하고 있음과 동시에 미래의 음향시장의 개척점에 의심없이 위치할 것이라는 것을, 
그간 DiGiCo가 걸어온 역사에서 기록되어지고 있으며, 입증되고 있습니다. 
DiGiCo는 최고의 퍼포먼스를 요하는 모든 상황에서, 최고의 엔지니어들과 함께, 최고의 사운드를 품고 있습니다.
디지털콘솔의 범주를 넘어선 최고의 사운드기어 DiGiCo를 여러분께 추천합니다.