Own the room with the compact and robust Quantum
Quantum 338에 이어, Quantum 225DS는 Quantum의 강력한 성능을 더욱 컴팩트하고 견고한 조작면(worksurface)에 담아낸 콘솔입니다.
Quantum 225DS는 2020년에 Quantum 338과 함께 도입된 모든 새로운 설계 기능을 적용했으며, 세 개의 대형 7세대 FPGA를 탑재해 Quantum 시리즈의 독보적인 성능을 이어갑니다. 검증된 워크플로우와 강력한 처리 성능, 혁신적인 기능, 그리고 Quantum만의 모든 특징을 결합하여 최고의 작업 환경을 제공합니다.
Quantum 225DS는 17인치, 1000니트 밝기의 고휘도 멀티터치 스크린 2개를 탑재하고 있으며, 미터 브리지와 소프트 퀵 셀렉트 버튼을 통해 빠르고 직관적인 조작이 가능합니다. 채널 정보와 미터링, 뱅크 정보, 매크로 등 다양한 정보를 표시하는 41개의 개별 TFT LCD가 탑재되어 있어 필요한 컨트롤을 즉시 찾을 수 있도록 도와줍니다. 또한 12개씩 구성된 두 개의 뱅크에 배치된 25개의 100mm 터치 감응식 페이더와, 고해상도 미터링을 지원하는 사용자 지정 가능 전용 마스터 페이더를 제공합니다.
최대 72개의 입력 채널, 36개의 버스, 12×12 매트릭스를 지원하며, 모든 채널에 완전한 채널 프로세싱 기능이 제공됩니다. 이를 통해 Quantum 225는 더욱 폭넓은 사용자층이 Quantum의 성능을 경험할 수 있도록 합니다. 또한 Mustard Processing 채널 스트립, Spice Rack 플러그인 스타일의 네이티브 FPGA 프로세싱 옵션, Nodal Processing, 그리고 True Solo 기능이 기본으로 제공됩니다.
Despite being a smaller format console, there hasn’t been any sacrifice when it comes to connectivity.
Local I/O: Quantum 225DS offers local I/O includes 8 analogue inputs, 8 analogue outputs and 2 AES I/O (4 channels)
MADI: Quantum 225DS offers 2 redundant MADI in/out at 48kHz, which can also be configured as 4 MADI I/O. At 96kHz this acts as 2 MADI I/O with full channel counts.
Optocore: The Quantum 225DS offers the option to add a single or dual loops of Optocore. On each loop, which is 504 channels of audio; there can be up to 14 DiGiCo racks, or a combination of racks and tie-lines around the loop. With dual Optocore loops, that’s 1,008 Optocore channels of audio and 28 racks running.
UBMADI: In addition, the engine has a 48-channel UBMADI, so you can connect any laptop via USB and get 48 channels of recording and playback.
DMI: We have also incorporated two dedicated DMI slots to accommodate the growing family of DiGiCo DMI card options. Allowing the console connectivity to be configured for the demand of the tour or event, you could plug in a Dante module, or the latest automatic mic mixing module. Each dedicated DMI slot provides you with an additional 64 x 64 I/O.
Waves: There is also an option to add Waves connectivity if you want to utilise SoundGrid processing, giving you a 64 x 64 additional I/O.
This card offers both the SD-Range and the S-Series consoles 48 channels of automatic microphone mixing which can be used in any console input channel.
DMI-AMMThis card offers both the SD-Range and the S-Series consoles 48 channels of automatic microphone mixing which can be used in any console input channel.
This card provides 16 analogue inputs on 2 x 25 way “D” connectors. The ADC card is a line card only. There is no microphone amplifier or phantom power available. There is no gain control function for these inputs (only digital trim). Maximum input level +22dBu.
DMI-ADCThis card provides 16 analogue inputs on 2 x 25 way “D” connectors. The ADC card is a line card only. There is no microphone amplifier or phantom power available. There is no gain control function for these inputs (only digital trim). Maximum input level +22dBu.
This card provides 16 Inputs (8 pairs) and 16 outputs (8 pairs) on 2 x 25 way “D” connectors. All AES inputs are provided with sample rate conversion (SRC) by default. All AES outputs are synchronised to the mixer system clock.
DMI-AESThis card provides 16 Inputs (8 pairs) and 16 outputs (8 pairs) on 2 x 25 way “D” connectors. All AES inputs are provided with sample rate conversion (SRC) by default. All AES outputs are synchronised to the mixer system clock.
This card provides 16 output channels at 48kHz (with SRC) and Supports Aviom's proprietary A-Net Pro16 protocol. It has 1 Cat5e connection and faceplate DIP switched for Stereo output selection.
DMI-AVIOMThis card provides 16 output channels at 48kHz (with SRC) and Supports Aviom's proprietary A-Net Pro16 protocol. It has 1 Cat5e connection and faceplate DIP switched for Stereo output selection.
This card provides 16 analogue outputs on 2 x 25 way “D” connectors DAC card is line level only. Maximum output level +22dBu (Digital Full Scale)
DMI-DACThis card provides 16 analogue outputs on 2 x 25 way “D” connectors DAC card is line level only. Maximum output level +22dBu (Digital Full Scale)
This card provides 16 analogue outputs on 2 x 25 way “D” connectors DAC card is line level only. Maximum output level +22dBu (Digital Full Scale)
DMI-DACThis card provides 16 analogue outputs on 2 x 25 way “D” connectors DAC card is line level only. Maximum output level +22dBu (Digital Full Scale)
This card can be used to connect a Standard MADI stream (64 channels in and out) at 48KHz or 96KHz or an SD Series DiGiCo Rack with the appropriate connector (D-Rack, D2-Rack, SD-Rack, SD-MiNiRack)
DMI-MADI-BThis card can be used to connect a Standard MADI stream (64 channels in and out) at 48KHz or 96KHz or an SD Series DiGiCo Rack with the appropriate connector (D-Rack, D2-Rack, SD-Rack, SD-MiNiRack)
This card provides 64 input and 64 output channels at 48KHz and 32 input and 32 output channels at 96KHz. It is provided with Primary and Secondary (backup) Gigabit Ethernet ports for connection to the Dante network.
DMI-DANTEThis card provides 64 input and 64 output channels at 48KHz and 32 input and 32 output channels at 96KHz. It is provided with Primary and Secondary (backup) Gigabit Ethernet ports for connection to the Dante network.
This card can be used to connect a Standard MADI stream (64 channels in and out) at 48KHz or 96KHz or an SD Series DiGiCo Rack with the appropriate connector (D-Rack, D2-Rack, SD-Rack, SD-MiNiRack)
DMI-MADI-CThis card can be used to connect a Standard MADI stream (64 channels in and out) at 48KHz or 96KHz or an SD Series DiGiCo Rack with the appropriate connector (D-Rack, D2-Rack, SD-Rack, SD-MiNiRack)
This card provides 8 microphone preamp inputs on a 1 x 25 way "D" connector. Each channel has individual, low noise gain control and phantom power. User interface is through a normal channel strip on your console. Maximum input level is +22dBu.
DMI-MICThis card provides 8 microphone preamp inputs on a 1 x 25 way "D" connector. Each channel has individual, low noise gain control and phantom power. User interface is through a normal channel strip on your console. Maximum input level is +22dBu.
This card will provide 64 input and 64 output channels at 48kHz or 96kHz to the SoundGrid Network with 2 Ethercon ports.
DMI-WAVESThis card will provide 64 input and 64 output channels at 48kHz or 96kHz to the SoundGrid Network with 2 Ethercon ports.
This card provides 64 inputs and 64 outputs to the Dante network at both 48kHz and 96kHz.
DMI-DANTE64@96This card provides 64 inputs and 64 outputs to the Dante network at both 48kHz and 96kHz.
This card will provide 56 Input and 56 output channels at 48kHz with Primary and Secondary (backup) optical connections.
DMI-HYDRA 2This card will provide 56 Input and 56 output channels at 48kHz with Primary and Secondary (backup) optical connections.
This card provides ultra low latency KLANG immersive processing for up to 16 2-channel mixes with 64 inputs at 48kHz or 96kHz.
DMI-KLANGThis card provides ultra low latency KLANG immersive processing for up to 16 2-channel mixes with 64 inputs at 48kHz or 96kHz.
This card provides 64 inputs and 64 outputs to AVB networks at both 48kHz and 96kHz.
DMI-AVBThis card provides 64 inputs and 64 outputs to AVB networks at both 48kHz and 96kHz.
INPUT CHANNELS
DYNAMIC EQ
DIGITUBES
DIGITAL FX
Bias 0 – 6
Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, SoftDe-Esser:
Threshold : 20us – 20ms
Release : 1ms – 100ms
Ratio : 1:1 – 50:1
Ess-Band : Listen On/Off
Ess-Band Filter Freq / Width: 20Hz – 20kHz
Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHzCompressor:
On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any Source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz
Full Safe
Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
Bias 0 – 6
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, SoftDe-Esser:
Threshold: 20us – 20ms
Release: 1ms – 100ms
Ratio: 1:1 – 50:1
Ess-Band: Listen On/Off
Ess-Band Filter Freq/Width: 20Hz – 20kHz
Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHzCompressor:
On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz
Variable Drive
Odd / Even / Overdrive / Distortion / Crunch / Hi Distortion Presets
Variable Output Gain
Variable Drive
Odd/Even 1st stage harmonics
Bias & Saturate control
Off/Odd/Even 2nd stage harm
Variable HF Boost
Variable Output Gain
HPF & LPF 4th order filters