SD8-24

All the same power, features and functions as an SD8, but in a smaller 25-fader frame size


SD8-24 주요 기능


600 Input Channels
24 Aux / Sub-Group Busses
LR/LCR/LCRS Master Bus
16 x 12 Full Processing Matrix
2 Solo
10 Dynamic Equalizers
190 DiGiTuBes
10 Multiband Compressors
12 Digital FX
24 Graphic Equalizers
Optional Waves Integration
48/96kHz Sample Rate
Optional Factory fit only Optics

SD8 : 제품 특징

DiGiCo SD8-24: Into overdrive and beyond...”

The SD8-24 is a particularly versatile console with the same Stealth Digital Processing and floating point Super FPGA technology seen in the flagship SD7. It offers a truly superlative performance at a competitive price and comes in an even smaller footprint than the SD8, something which will appeal to engineers across the board.

Scratching the surface

The SD8-24 has all the same power and functionality as the 37-fader SD8, but in a smaller frame, comprising 24 main channel faders and a master fader.

At the heart of the console's worksurface is a 15-inch, high resolution TFT LCD touch screen with backlit display. Through this user-friendly interface, any bank of 12 faders can be instantly assigned as input or output channels, allowing all 24 main faders to control inputs if desired; equally, any bank of 12 can also be assigned to the touch screen for fine-tuning.

In addition, the SD8-24 benefits from dedicated multi-function control knobs and electronic labelling.

What's under the hood?

Like the SD8, the SD8-24 boasts 60 processing channels at 48kHz/96kHz, all of which are Flexi Channels (configurable as either mono or stereo), which is the equivalent of 120 channels of full DSP processing.

Standard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection, DiGiCo's DYN 1 (Compressor, De-esser or Multi Channel Compressor) and DYN 2 (Gate, Compressor or Ducker).

The console also benefits from 10 Dynamic EQ processors, all of which can be assigned to any of the input or output channels. These powerful processors offer dynamic processing on each of the four standard parametric bands, plus there are also10 Multiband Compressors and 10 DiGiTubes; and no matter how the console is set up, the user won't lose any resources, as all the channels are equipped to provide the same high quality signal path and feature set.

The master section incorporates 24 gangable 32-band graphic EQs, 12 stereo effects (selectable from a palette of 33), and 12 control groups (VCAs); and using snapshots, engineers can now switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.

In addition, we've included 24 Flexi busses, all of which are assignable as mono/stereo groups or auxiliary busses; and in addition to these busses, for further configurability, we've provided a 16 x 12 output matrix, dual solo busses, and a Master buss. Essentially, users have the equivalent of 67 busses of DSP at their disposal.

Unlike all other digital console manufacturers, you don't lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O

The SD8-24 has exactly the same local I/O as the SD8: eight mic inputs, eight outputs, eight mono AES I/O, and two MADI connections.

The console comes as standard with a MaDiRack which is an 8U fixed 48 input with eight analogue outputs, with the ability to increase these outputs to 24 with any combination of analogue AES/EBU or Aviom.

As with all DiGiCo consoles, it can also connect to an SD-Rack, an SD-Mini, and SD-Nano Rack.

There is also a factory fit Optocore option which allows for connectivity to all DiGiCo racks and consoles in a redundant loop.

In addition, there is an optional DiGiCo SoundGrid module which, when linked to an external PC server such as SoundGrid or DiGiGrid, provides the user with instant access to 16 fully integrated low-latency Waves stereo Multi Racks, each with the ability to have up to eight plugins per rack.  That's 64 I/O - and as you'd expect from DiGiCo, this is all additional I/O.

All Waves compatible plugins are pre-loaded, and as this is integral within the console, you have the added advantage of touch screen control; and all shapshots and session files are saved within the console.


옵션




SD8 : 제품 사양

General Specifications

  •  Faders 37 x 100mm Touch-Sensitive, Motorised (25 on SD8-24)
  • Screens 1 x 15” (38cm) LCD High - Resolution Touch Screen
  • Meters 38 x 20-Segment LED Bargraph (26 on SD8-24)
  • Input Channels 60 Flexi Channels
  • Busses 24 Mono or Stereo Busses + LR or LCR Master
  • Solo Busses 2 Stereo Busses
  • Matrix 16 x 12 Matrix (Additional to Busses Above)
  • Control Groups 12, Selectable for VCA-style, Moving Fader, Mute Group
  • Graphic EQ 24 x 32-band, Gain +/- 12dB
  • Internal FX 12 Stereo FX Processors
  • Local I/O 8 x Mic/Line I/O, 8 x AES/EBU  I/O (Mono)
  • MADI Interface 2 Redundant Interfaces, 75 Ohm BNC Connectivity
  • Optic Interface Optocore (Optional Factory Fit Only)
  • MIDI Interface In / Out / Through
  • VGA Port DB-15 Mini-Female (1024 x 768 Resolution)
  • USB Ports (3) USB 2
  • Light Connection (2) XLR3 1.2 – 12V
  • Ext Sync Word Clock, AES, MADI, Optics
  • Headphone TRS Unbalanced / 8-600 Ohms 1/4 Inch Jack
  • SD8-24 Dimensions 923.5mm (w) x 811mm (d) x 251.7mm (h)
  • SD8-24 Weight 50Kg (127Kg with Optional Flightcase)
  • SD8-24 Flightcase  1092mm (w) x 1133mm (h) x 452mm (d) (Optional) 
  • SD8-24 Power Requirements 90-264 VAC, 47-63Hz Auto Sensing. 230VA typical, 295VA Peak (Meters Full, Faders Moving)
  • Redundancy Internal PSU x 2

 Audio Specification

  • Sample Rate: 48kHz, 44.1kHz or 96kHz
  • Processing Delay: 2ms Typical @ 48k(60 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @96k
  • Internal Processing: Up to 40-bit, Floating Point
  • A>D & D>A: 24-bit Converter Bit Depth
  • Frequency Response: +/- 0.6dB (20Hz – 20kHz)
  • THD: <0.05% @ Unity Gain,: 10dB Input @ 1kHz
  • Channel Seperation: Better Than 90dB: (40Hz – 15kHz)
  • Residual Output: <90dBu Typical
  • Noise: (20Hz - 20kHz)
  • Microphone Input: Better Than -126dB: Equivalent Noise
  • Maximum Output Level: +22dBu
  • Maximum Input Level: +22dBu

Processing Channel Specification Input Channel

  • Name: User-Defined / Presets
  • Channel Selection: Mono / Stereo / Multi
  • Input Routing: Main & Alternate Input
  • Analogue Gain: -20 to +60dB
  • Phase: Normal / Reverse
  • Digital Trim: -40 to +40dB
  • Delay: >1 Sec (Coarse & Fine Control)
  • DiGiTuBe: Drive 0.01 - 50.0
  • Bias 0 - 6
  • LPF: 20 – 20kHz, 24dB/Oct
  • HPF: 20 – 20kHz, 24dB/Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
  • Dynamics 1: Single or Multiband (3-Band)
    Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with
    Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, Soft
    De-Esser: Threshold : 20us – 20ms
    Release : 1ms – 100ms
    Ratio : 1:1 – 50:1
    Ess-Band : Listen On/Off
    Ess-Band Filter Freq / Width: 20Hz – 20kHz
  • Dynamics 2: On/Off
    Gate / Ducker: Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 - 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHz
    Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with
    Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any Source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • EQ/Dyn order: EQ/Dyn or Dyn/EQ
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
    Full Safe
  • Output Routing: Buss, Insert A, Insert B, FX
    Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
  • Fader: 100mm Motorised Fader ∞ to +10dB

Processing Channel Specification
Aux / Group / Matrix Output

  • Name: User-Defined / Presets
  • Phase: Normal / Reverse
  • Digital Trim: -20 to +60dB
  • Delay: >1 Sec (Coarse & Fine control)
  • DiGiTuBe: Drive 0.01 - 50.0
    Bias 0 - 6
  • LPF: 20 – 20kHz, 24dB / Oct
  • HPF: 20 – 20kHz, 24dB / Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 4 band Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
  • Dynamics 1: Single or Multiband (3-band)
    Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB
    with Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, Soft
    De-Esser: Threshold: 20us – 20ms
    Release: 1ms – 100ms
    Ratio: 1:1 – 50:1
    Ess-Band: Listen On/Off
    Ess-Band Filter Freq/Width: 20Hz – 20kHz
  • Dynamics 2: On/Off
    Gate / Ducker: Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 - 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHz
    Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB
    with Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • EQ/Dyn Order: EQ/Dyn or Dyn/EQ
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
  • Output Routing: Outputs, Insert A, Insert B, FX
  • Fader: 100mm Motorised Fader ∞ to + 10dB

엔지니어들에게 인정받은 음질과, 엔지니어들에게 선택되어진 UI, 엔지니어들을 위한 수많은 편의기능 등, 최고의 엔지니어들이 선택한 믹싱툴 DiGiCo,
DiGiCo가 구현하는 기술은 현재 음향시장의 기술력을 대변하고 있음과 동시에 미래의 음향시장의 개척점에 의심없이 위치할 것이라는 것을, 
그간 DiGiCo가 걸어온 역사에서 기록되어지고 있으며, 입증되고 있습니다. 
DiGiCo는 최고의 퍼포먼스를 요하는 모든 상황에서, 최고의 엔지니어들과 함께, 최고의 사운드를 품고 있습니다.
디지털콘솔의 범주를 넘어선 최고의 사운드기어 DiGiCo를 여러분께 추천합니다.