SD12 96

The New Multi-application console 


SD12 96 주요 기능


96 Input Channels
48 Aux / Sub-Group Busses
LR/LCR Master Bus
12 x 8 Full Processing Matrix
2 Solo
155 Dynamic Equalizers
155 DiGiTuBes
155 Multiband Compressors
12 Digital FX
16 Graphic Equalizers
Optional Waves Integration
48/96kHz Sample Rate
Optional Optics

SD12 96 : 제품 특징

DiGiCo SD12 96 : “A True Sonic Powerhouse”

Compact in size but big on features, the SD12 96 raises the bar as a multi-application digital console at an exceptionally affordable price point. Not only is the SD12 96 a true sonic powerhouse, it is the first in the SD-Range to feature an integrated recording interface which makes virtual sound checking a snap.

Designed to provide optimum performance in live touring, corporate, install, house of worship, theatre and broadcast environments, the SD12 96 incorporates the latest generation Super FPGA technology and Core 2 software to deliver unrivalled power and connectivity in a compact frame.

Designed for even easier operation, the SD12 96’s new DVI display output provides an overview of the console, while brighter LED meters and a DiGiCo Lightbar ensure optimum visibility. Dual 15-inch touchscreens, two assignable master faders and advanced surface connectivity is provided in the form of optional DMI cards.


Under The Hood

The  SD12 96 boasts 96 channels at 48kHz/96kHz, delivering a wealth of functionality. Standard channel processing across both inputs and outputs includes Channel Delay, Single and Multi-Channel presets, Dual insert points Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection, DiGiCo’s DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).

On board are 155 Dynamic EQ processors which can be assigned to any of the input or output channels; 155 Multiband Compressors and 155 DiGiTuBes. All channels deliver the same pure signal path and feature set, so no matter how you set up your console, you never lose any resources. Within the master section are 16 graphic EQs, 12 digital effects, and up to 12 control groups (VCAs). Using snapshots, engineers can switch between complete configurations at a touch.

The SD12 96’s 48 busses are assignable as sub-groups or auxiliaries, while further configurability comes courtesy of a 12×8 output matrix, dual solo busses, and a Master buss. Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.


I/O

The SD12 96’s extensive local I/O section offers eight mic line inputs, eight line outs, eight mono AES/EBU and dual MADI in/out.  The SD12 96 comes complete with dual DMI (DiGiCo Multichannel Interface) option card slots, perfect for expandability with industry formats such as Analogue expansion, MADI, Dante, Waves SoundGrid, or Calrec’s Hydra 2 Network.


Interfacing

SD12 comes complete with dual DMI (DiGiCo Multichannel Interface) option card slots, perfect for expandability, as it can interface with industry formats be it Analogue expansion, MADI, Dante, Waves SoundGrid, or Calrec's Hydra 2 Network. All bases are covered.


옵션




SD12 96 : 제품 사양

  • General Specifications
    • Faders: 26 x 100mm touch-sensitive, motorised
    • Screens: 2 x 15” LCD high – resolution touch screens
    • Input Channels: 96
    • Busses: 48 plus masters Aux / Group busses with full processing Mono / Stereo / LCR
    • Matrix: 12 Input / 8 Outputs with full processing
    • Control Groups: 12, selectable for VCA-style, Moving fader, Mute Group
    • Graphic Eq: 16 x 32-band, Gain +/- 12dB
    • Internal FX: 12 stereo effects comprising of reverbs and delay/chorus/pitch/enhancer
    • Local I/O: 8 x mic/line I/O, 8 x AES I/O
    • MADI interface: 2 Interfaces, BNC connectivity
    • Optic interface: Optional
    • Sampling rates: 48kHz / 96kHz
    • GPIO: 2 x DSub37
    • DMI: 2 x DiGiCo Multichannel Interface
    • Ext Sync: Wordclock, MADI, Optics
    • SD12 Dimensions: 1124 mm (w) x 795 mm (d) x 389 mm (h)
    • SD12 Weight: 42Kg / 96lbs.(130Kg / 287lbs. with optional flightcase)
    • SD12 Flightcase: 1270 mm (w) x  570 mm (d) x 1150 mm (h)
    • SD12 Power Requirements : 90V-260V, 50-60Hz, 150VA. (140W)
  • Audio Specification

    • Sample rate: 96kHz or 48kHz
    • Processing delay: 1ms Typical (channel, SD-Rack input through L-R buss to stage output @96kHz)
    • Internal processing: Up to 40-bit, floating point A>D & D>A 24-bit Converter Bit Depth
    • Frequency response: +/- 0.6dB (20Hz – 20kHz)
    • THD: <0.05% @ unity gain, 10dB input @ 1kHz
    • Channel Seperation: Better than 90dB (40Hz – 15kHz)
    • Microphone Input: Better than -126dB Equivalent Noise
    • Maximum Output Level: +22dBu:
    • Maximum Input Level: +22dBu:
  • Processing Channel Specification
    Input Channel

    • Name: User-Defined / Presets
    • Channel Selection: Mono / Stereo / Multi
    • Input Routing: Main & Alternate Input
    • Analogue Gain: -20 to +60dB
    • Phase: Normal / Reverse
    • Digital Trim: -40 to +40dB
    • Delay: >1 Sec (Coarse & Fine Control)
    • DiGiTuBe: Drive 0.01 – 50.0
    • Bias 0 – 6
    • LPF: 20 – 20kHz, 24dB/Oct
    • HPF: 20 – 20kHz, 24dB/Oct
    • Insert A: (Pre EQ/Dyn) On/Off
    • Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
      Hi Shelf, Hi/Hishelf)
      On/Off
      Freq; 20 – 20kHz
      Gain; +/- 18dB
      Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
      Dynamic EQ On/Off
      Over/Under
      Band On/Off
      Threshold; -60 – 0dB
      Attack; 500us – 100ms
      Release; 10ms – 10s
      Ratio; 1:1 – 50:1
    • Dynamics 1: Single or Multiband (3-Band) Compressor: On/Off
      Threshold; -60 – 0dB
      Attack; 500us – 100ms
      Release; 10ms – 10s
      Ratio; 1:1 – 50:1
      Gain; 0 to +40dB with
      Autogain Option
      Link; Any Channel/Buss
      Hi Crossover; 20Hz – 20kHz
      Lo Crossover; 20Hz – 20kHz
      Knee : Hard, Med, Soft De-Esser: Threshold : 20us – 20ms
      Release : 1ms – 100ms
      Ratio : 1:1 – 50:1
      Ess-Band : Listen On/Off
      Ess-Band Filter Freq / Width: 20Hz – 20kHz
    • Dynamics 2: On/Off Gate / Ducker: Threshold; -60 – 0dB
      Attack; 50us – 100ms
      Hold; 2ms – 2s
      Release; 5ms – 5s
      Range; 0 – 90dB
      Key; Any Source
      Key Listen
      Freq/Width; 20 – 20kHz Compressor: On/Off
      Threshold; -60 – 0dB
      Attack; 500us – 100ms
      Release; 10ms – 10s
      Ratio; 1:1 – 50:1
      Gain; 0 to +40dB with
      Autogain Option
      Link; Any Channel / Buss
      Hi Crossover; 20Hz – 20kHz
      Lo Crossover; 20Hz – 20kHz
      S/C Source : Any Source
      S/C Listen : On/Off
      S/C Filter Freq/Width: 20Hz – 20kHz
    • Insert B: (Post EQ/Dyn) On/Off
    • EQ/Dyn order: EQ/Dyn or Dyn/EQ
    • Mute: Channel Mute / Hard Mute
    • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
    • Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
      Full Safe
    • Output Routing: Buss, Insert A, Insert B, FX
      Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
    • Fader: 100mm Motorised Fader ∞ to +10dB
  • Processing Channel Specification 
    Aux / Group / Matrix Output

    • Name: User-Defined / Presets
    • Phase: Normal / Reverse
    • Digital Trim: -20 to +60dB
    • Delay: >1 Sec (Coarse & Fine control)
    • DiGiTuBe: Drive 0.01 – 50.0
      Bias 0 – 6
    • LPF: 20 – 20kHz, 24dB / Oct
    • HPF: 20 – 20kHz, 24dB / Oct
    • Insert A: (Pre EQ/Dyn) On/Off
    • Equalisation: 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
      On/Off
      Freq; 20 – 20kHz
      Gain; +/- 18dB
      Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
      Dynamic EQ On/Off
      Over/Under
      Band On/Off
      Threshold; -60 – 0dB
      Attack; 500us – 100ms
      Release; 10ms – 10s
      Ratio; 1:1 – 50:1
    • Dynamics 1: Single or Multiband (3-band) Compressor: On/Off
      Threshold; -60 – 0dB
      Attack; 500us – 100ms
      Release; 10ms – 10s
      Ratio; 1:1 – 50:1
      Gain; 0 to +40dB
      with Autogain Option
      Link; Any Channel / Buss
      Hi Crossover; 20Hz – 20kHz
      Lo Crossover; 20Hz – 20kHz
      Knee : Hard, Med, Soft De-Esser: Threshold: 20us – 20ms
      Release: 1ms – 100ms
      Ratio: 1:1 – 50:1
      Ess-Band: Listen On/Off
      Ess-Band Filter Freq/Width: 20Hz – 20kHz
    • Dynamics 2: On/Off Gate / Ducker: Threshold; -60 – 0dB
      Attack; 50us – 100ms
      Hold; 2ms – 2s
      Release; 5ms – 5s
      Range; 0 – 90dB
      Key; Any Source
      Key Listen
      Freq/Width; 20 – 20kHz Compressor: On/Off
      Threshold; -60 – 0dB
      Attack; 500us – 100ms
      Release; 10ms – 10s
      Ratio; 1:1 – 50:1
      Gain; 0 to +40dB
      with Autogain Option
      Link; Any Channel/Buss
      Hi Crossover; 20Hz – 20kHz
      Lo Crossover; 20Hz – 20kHz
      S/C Source : Any source
      S/C Listen : On/Off
      S/C Filter Freq/Width: 20Hz – 20kHz
    • Insert B: (Post EQ/Dyn) On/Off
    • EQ/Dyn Order: EQ/Dyn or Dyn/EQ
    • Mute: Channel Mute / Hard Mute
    • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
    • Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
    • Output Routing: Outputs, Insert A, Insert B, FX
    • Fader: 100mm Motorised Fader ∞ to + 10dB

엔지니어들에게 인정받은 음질과, 엔지니어들에게 선택되어진 UI, 엔지니어들을 위한 수많은 편의기능 등, 최고의 엔지니어들이 선택한 믹싱툴 DiGiCo,
DiGiCo가 구현하는 기술은 현재 음향시장의 기술력을 대변하고 있음과 동시에 미래의 음향시장의 개척점에 의심없이 위치할 것이라는 것을, 
그간 DiGiCo가 걸어온 역사에서 기록되어지고 있으며, 입증되고 있습니다. 
DiGiCo는 최고의 퍼포먼스를 요하는 모든 상황에서, 최고의 엔지니어들과 함께, 최고의 사운드를 품고 있습니다.
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