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M88TG

Dynamic Microphone (Hypercardioid)


  • Legendary, universal all purpose microphone classic
  • Perfectly suitable for the studio
  • Unbelievably rich sound
  • Made in germany

TECHNICAL SPECIFICATIONS

Transducer type . . . . . . . . . . . . . . . . . . . Dynamic 

Operating principle. . . . . . . . . . . . . . . . . Pressure gradient 

Polar pattern . . . . . . . . . . . . . . . . . . . . . Hypercardioid 

Frequency response . . . . . . . . . . . . . . . . 30 - 20,000 Hz Rear attenuation at 1 kHz. . . . . . . . . . . . > 23 dB at 120° 

Open circuit voltage . . . . . . . . . . . . . . . . 2.9 mV/Pa (-51 dBV) 

Magnetic field suppression . . . . . . . . . . . > 20 dB at 50 Hz 

Nominal impedance . . . . . . . . . . . . . . . . 200 Ω 

Load impedance . . . . . . . . . . . . . . . . . . . ≥ 1000 Ω 

Diaphragm . . . . . . . . . . . . . . . . . . . . . . . Hostaphan® 

Casing . . . . . . . . . . . . . . . . . . . . . . . . . . Brass 

Connection . . . . . . . . . . . . . . . . . . . . . . XLR, 3-pin, male 

Dimensions: Length. . . . . . . . . . . . . . . . . . . . . . . . . 181 mm 

Shaft diameter. . . . . . . . . . . . . . . . . . . 25.5 mm 

Head diameter. . . . . . . . . . . . . . . . . . . 48.5 mm 

Weight . . . . . . . . . . . . . . . . . . . . . . . . . . 320 g

M130

beyerdynamic is one of few microphone manufacturers world-wide that still produce ribbon microphones. One of them is the legendary M 130. The M 130's unique double ribbon element has a superb transient response, creating a highly detailed sound with unequalled accuracy and transparency.  

FIGURE EIGHT POLAR PATTERN

The bidirectional figure eight polar pattern effectively suppresses unwanted interference from the sides. The M 130's balanced, uncoloured sound handles a wide variety of applications. In conjunction with the hypercardioid M 160, the M 130 is ideal for creating an authentic stereo image through the use of the MS- (Mid-Side) technique.
The M 130 gives excellent results when the Mid-Side technique is used to record or broadcast a true stereo image. Its rugged Design handles the demands of remote recording/broadcast sessions as easily as those of the studio. Alone, the M 130 allows the recording of background audience noise and concert hall 'ambience' without unwanted resonances. In the recording studio it is effective with backing vocal groups, percussion and mounted toms.